Monster Under The Bed. Part 3

In keeping with the family connection to explore the notion of how photography inspires us, I asked my sister to recall a story relating to a cousin of ours.

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Lisa. My younger sister.

“My brother asked me to collaborate on his photography post series Monster Under The Bed as in our family we have all witnessed first-hand the superpower of the photograph. Lee sees the world through different eyes and shares his unique view with us all through his captivating photography. I also see the world differently with the help of photographs, and I’ll explain the reasons why”.

Using Photography as a Tool for Emotional Therapy;

Most of us will look through our collection of family photographs from time to time, and remember fondly (or not so in some cases!) the event or occasion that took place when the photograph was captured – reminding us of when it was taken, who we were with, what we were doing, how that event impacted our lives etc. Such reminiscence using photographs is often used as a form of therapeutic treatment in the care of elderly dementia patients, giving them a real sense of belonging, importance and of peace, in a time of difficulty. But it doesn’t stop there – many of us will use photographs for the same purpose, remembering happy times and helping us to maintain or improve our emotional wellbeing, and in coping with life’s challenges.

To put this into context, I’ll share my cousin’s story. By the age of just 15 he had tragically lost both of his parents, my own Aunt and Uncle. His photographs of them became a treasured collection of his memories, captured ‘forever’ in print. However, some years later a devastating house fire destroyed most of these images, leaving him with only one single photograph of his mum and dad together.  This photograph of course became extremely precious to him. He realised that any other photographs of his parents would be like gold dust to come by.

My mother knew she had a photograph of my cousin’s parents in an old album somewhere and wanted him to have it, but despite her hunting high and low and in all the nooks and crannies of every inch of her house, that wee photo completely eluded her grasp. She started to accept that perhaps she had lost this over the years of house moves and life moving on, but she never quite gave up on the idea of what that one single image could mean to my cousin. Very recently she uncovered an old box in her loft containing images from a lost era . One of which was the photograph of my cousin’s parents.

There was an extra sparkle clearly visible in this photograph – it didn’t only include his parents, but also showed that my Aunt was expecting company.

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A simple photograph, and an innocent shot, from a family birthday party back in August 1980.

From the moment I called my cousin to let him know, to the excitement when I sent the email with the scanned photo attached, and to the day I received the text message from him telling me of the joy he felt to see that image– I became inherently aware of the superpower of the photograph – to bring happiness into someone’s world and sooth the delicate emotions from yesteryear. The earliest photograph of his existence so powerfully established in the simplest of their contemporary devices.  Respect fairly due to ‘the snapshot’. As Kodak’s earliest ad’s stated “You press the button, we do the rest”, Do we disagree?

Lisa Huggins.

Published by Shuttermaniac Productions

Award-winning Filmmaker and Creative Director with a focus on disciplines in the fields of art, commerce, emerging technology, and tourism. Before this blog started (prior to Oct 2012) he had a Facebook page which served as a means for keeping clients and friends updated to any upcoming gigs, work and events. This also served as a back catalogue for said clients wishing to see their portfolios shown on a public platform for review and critique. He currently has a website which only started last year May 2011 and has already attracted a plethora of international interest (but mainly Scottish..) ‘Dublin’s Arts and Antique Quarter’ use his images in their highlighting of the up and becoming cultural area in and Francis Street. The Blogger comes from a small, quiet agricultural seaside town just south of Glasgow, so always had the aspirations to seek out the next big city and run away from home. Since the childhood dream of leaving home officially (usually a kick in the arse when you turn sixteen) he has worked, lived, and squandered his time around the globe. Dodging in and out of Hospitality/ Catering work as often as a stray dog to a home he worked in every level of Hotels, Restaurants and Bars and even served time in the Merchant Navy as a Drunken Sailor/ Sommelier on board the QE2 cruise liner. The common factor in all this unsettled chaos, was the pastime in which this young man adhered all his spare time and attention to. With years spent away from home and cultural comfort zones, and having a distinct lack of wanting to return, he was only going to be immersed deeper into this new-found career path. “It’s only by looking back and organising your photographs, that you can make sense of all this madness, which we call life”. At least that’s what I think she said, as my forgetful grandmother asked me for the third time. “Who is this one again, son?”

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